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Nathaniel Hawthorne was one of the earliest authors to use symbols as an integral part of his plots.

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The House of Seven Gables–Finally

This is clearly seen in both The Scarlet Letter and in The House of the Seven Gables....
Somebody, at all events, was passing from the furthest interior of the omnibus towards its entrance. A gentleman alighted; but it was only to offer his hand to a young girl, whose slender figure, nowise needing such assistance, now lightly descended the steps, and made an airy little jump from the final one to the sidewalk. She rewarded her cavalier with a smile, the cheery glow of which was seen reflected on his own face, as he re-entered the vehicle. The girl then turned towards the House of the Seven Gables, to the door of which, meanwhile, — not the shop-door, but the antique portal, — the omnibus-man had carried a light trunk and a band-box. First giving a sharp rap of the old iron knocker, he left his passenger and her luggage at the door-step, and departed.

SparkNotes: The House of the Seven Gables


Hepzibah fancied that there was something peculiar in her venerable friend’s look and tone; insomuch, that she gazed into his face with considerable earnestness, endeavoring to discover what secret meaning, if any, might be lurking there. Individuals whose affairs have reached an utterly desperate crisis almost invariably keep themselves alive with hopes, so much the more airily magnificent, as they have the less of solid matter within their grasp, whereof to mould any judicious and moderate expectation of good. Thus, all the while Hepzibah was perfecting the scheme of her little shop, she had cherished an unacknowledged idea that some harlequin trick of fortune would intervene in her favor. For example, an uncle — who had sailed for India, fifty years before, and never been heard of since — might yet return, and adopt her to be the comfort of his very extreme and decrepit age, and adorn her with pearls, diamonds, and oriental shawls and turbans, and make her the ultimate heiress of his unreckonable riches. Or the member of parliament, now at the head of the English branch of the family, — with which the elder stock, on this side of the Atlantic, had held little or no intercourse for the last two centuries, — this eminent gentleman might invite Hepzibah to quit the ruinous House of the Seven Gables, and come over to dwell with her kindred at Pyncheon Hall. But, for reasons the most imperative, she could not yield to his request. It was more probable, therefore, that the descendants of a Pyncheon who had emigrated to Virginia, in some past generation, and became a great planter there, — hearing of Hepzibah’s destitution, and impelled by the splendid generosity of character with which their Virginian mixture must have enriched the New England blood, — would send her a remittance of a thousand dollars, with a hint of repeating the favor, annually. Or — and, surely, anything so undeniably just could not be beyond the limits of reasonable anticipation — the great claim to the heritage of Waldo County might finally be decided in favor of the Pyncheons; so that, instead of keeping a cent-shop, Hepzibah would build a palace, and look down from its highest tower on hill, dale, forest, field, and town, as her own share of the ancestral territory.

 

SparkNotes: The House of the Seven Gables: Plot …


Phoebe, it must be understood, was that one little off-shoot of the Pyncheon race to whom we have already referred, as a native of a rural part of New England, where the old fashions and feelings of relationship are still partially kept up. In her own circle, it was regarded as by no means improper for kinsfolk to visit one another, without invitation, or preliminary and ceremonious warning. Yet, in consideration of Miss Hepzibah’s recluse way of life, a letter had actually been written and despatched, conveying information of Phoebe’s projected visit. This epistle, for three or four days past, had been in the pocket of the penny-postman, who, happening to have no other business in Pyncheon-street, had not yet made it convenient to call at the House of the Seven Gables.


In his younger days — for, after all, there was a dim tradition that he had been, not young, but younger, — Uncle Venner was commonly regarded as rather deficient, than otherwise, in his wits. In truth, he had virtually pleaded guilty to the charge, by scarcely aiming at such success as other men seek, and by taking only that humble and modest part, in the intercourse of life, which belongs to the alleged deficiency. But, now, in his extreme old age, — whether it were that his long and hard experience had actually brightened him, or that his decaying judgment rendered him less capable of fairly measuring himself, — the venerable man made pretensions to no little wisdom, and really enjoyed the credit of it. There was likewise, at times, a vein of something like poetry in him; it was the moss or wall-flower of his mind in its small dilapidation, and gave a charm to what might have been vulgar and common-place in his earlier and middle life. Hepzibah had a regard for him, because his name was ancient in the town, and had formerly been respectable. It was a still better reason for awarding him a species of familiar reverence, that Uncle Venner was himself the most ancient existence, whether of man or thing, in Pyncheon street, except the House of the Seven Gables, and perhaps the elm that overshadowed it.


The House of the Seven Gables (1940) - IMDb

Nathaniel Hawthorne, "Chapter IV: “A Day Behind the Counter”," The House of the Seven Gables, Lit2Go Edition, (1851), accessed March 21, 2018, .

The House of Seven Gables – Part 2 | Where the Ghosts …

TOWARDS noon, Hepzibah saw an elderly gentleman, large and portly, and of remarkably dignified demeanor, passing slowly along on the opposite side of the white and dusty street. On coming within the shadow of the Pyncheon-elm, he stopt, and (taking off his hat, meanwhile, to wipe the perspiration from his brow) seemed to scrutinize, with especial interest, the dilapidated and rusty-visaged House of the Seven Gables. He himself, in a very different style, was as well worth looking at as the house. No better model need be sought, nor could have been found, of a very high order of respectability, which, by some indescribable magic, not merely expressed itself in his looks and gestures, but even governed the fashion of his garments, and rendered them all proper and essential to the man. Without appearing to differ, in any tangible way, from other people’s clothes, there was yet a wide and rich gravity about them, that must have been a characteristic of the wearer, since it could not be defined as pertaining either to the cut or material. His gold-headed cane, too, — a serviceable staff, of dark, polished wood, — had similar traits, and had it chosen to take a walk by itself, would have been recognized anywhere as a tolerably adequate representative of its master. This character — which showed itself so strikingly in everything about him, and the effect of which we seek to convey to the reader — went no deeper than his station, habits of life, and external circumstances. One perceived him to be a personage of mark, influence, and authority, and, especially, you could feel just as certain that he was opulent as if he had exhibited his bank account, or as if you had seen him touching the twigs of the Pyncheon-elm, and, Midas-like, transmuting them to gold.

The House of the Seven Gables Summary | GradeSaver

Hawthorne, Nathaniel. "Chapter IV: “A Day Behind the Counter”." The House of the Seven Gables. Lit2Go Edition. 1851. Web. >. March 21, 2018.